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Johnson in the classic "The Psychiatrist" episode of the immortal British series Fawlty Towers. However, his most memorable performance from the era for most viewers came in 1979 as the chain-wearing, open-shirted "monkey" Mr. Following Psychomania he returned with a more broadly comic horror film as the hero in 1974's Old Dracula with David Niven, followed by the lead in 1976's sex comedy The Bawdy Adventures of Tom Jones.
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His flair for fast pacing, efficient use of limited funds and dark humor are well in evidence throughout Psychomania, particularly its unforgettable suicide montage which finds the Living Dead members offing themselves in a mounting succession of blackly comic vignettes.Ī very recognizable face in British films and TV since the 1960s, lead Nicky Henson had small roles in films such as Mike Reeves' Witchfinder General (1968) and the Peter Sellers comedy There's a Girl in My Soup (1970) before graduating to lead roles in the '70s, though he mainly worked in television for most of his career. Afterwards he only helmed a few additional films including the worthwhile 1978 version of The Thirty-Nine Steps and a flawed 1979 all-star adaptation of Alistair MacLean's Bear Island. However, the 1970s proved far more uneven for the director, as he took a long break after 1969 and finally returned in 1973 with Psychomania and another horror film, the minor Joan Collins vehicle Dark Places. His other Hammer titles include The Devil-Ship Pirates (1964) and Rasputin: The Mad Monk (1966), but some of his best work of that decade lay elsewhere as evidenced by the first two Christopher Lee Fu Manchu films ( The Face of Fu Manchu and The Brides of Fu Manchu ), the underrated Curse of the Fly (1965), and the atmospheric Witchcraft (1964). Psychomania was directed by a respected Hammer Films veteran, Australian-born Don Sharp, who made a very auspicious horror debut in 1963 with one of the studio's best films, The Kiss of the Vampire. However, none are more peculiar than this attempt to capture the youth market created by the success of Easy Rider, crossed with some undead trappings borrowed from George A. 1972, Frightmare and Don't Look Now for three very different methods of addressing this shift. The move away from gothic horror to modern thrills in the early '70s resulted in a number of peculiar British horror films just see Dracula A.D. Every member of the Living Dead is soon following Tom's example and turning into zombies on wheels, but Abby's failure to join them causes a rift resulting in a final showdown between good and evil.
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(Apparently Tom's late father didn't quite pass the test.) Giddy at the thought of riding his hog for all eternity, Tom sails off a bridge during a police chase but, following a solemn, chopper-themed funeral, bursts out of his grave and becomes even more of a public nuisance than before. Meanwhile Tom's mother (Beryl Reid) and her butler, Shadwell (George Sanders), idle away their time worshipping a pagan frog statue capable of bringing humans back from the dead as long as they want it badly enough at the moment of death. With his girlfriend Abby (Mary Larkin) by his side, Tom leads these malcontents up and down the roads at top speed as they clip pedestrians and cars and sometimes terrorize local businesses. In an otherwise peaceful English village, spoiled young brat Tom Latham (Nicky Henson) is raising all kinds of hell with his skull-faced biker gang, the Living Dead.